onsdag 2 december 2009

Elvis Presley - Blue moon of Kentucky


Blue Moon of Kentucky" is a waltz written in 1946 by bluegrass musician Bill Monroe and recorded by his band, The Blue Grass Boys.

Elvis Presley: The search for another song to release along with "That's All Right" at Sun Records in July 1954 lead to "Blue Moon of Kentucky" via Bill Black. "We all of us knew we needed something," according to Scotty Moore, and things seemed hopeless after a while. "Bill is the one who came up with "Blue Moon of Kentucky."...We're taking a little break and he starts beating on the bass and singing "Blue Moon of Kentucky," mocking Bill Monroe, singing the high falsetto voice. Elvis joins in with him, starts playing and singing along with him," as did Moore himself. Elvis Presley Scotty and Bill, with the encouragement of Sam Phillips, transformed Monroe's slow waltz (3/4 time) into an upbeat, blues-flavored tune in 4/4 time.


After an early rendition of the song, Sun Records owner Sam Phillips exclaimed, "BOY, that's fine, that's fine. That's a POP song now!." Presley responded, "That sounds like Carl Perkins!" As with all of the Presley records issued by Sun, the artists were listed as "ELVIS PRESLEY SCOTTY and BILL".

The record was played on Juke Box Jury. "Blue Moon" had been written and first recorded some years earlier by a famous, Grand Ole Opry entertainer, Bill Monroe of Kentucky. Tennessee Ernie Ford, on the Juke Box Jury that night, drawled: "If ole Bill Monroe hears this, he'll just take his li'l ole country band and head back for the hills." Monroe himself, far from being offended, sent Elvis a note of thanks. After Elvis brought it out, six other companies made it with their stars. Billboard gave Elvis' first record an 85 score, very high, on both sides. Over a 15 week period, only one other record in the same category had an equal rating, and that was by the established star, Webb Pierce. A year later Sam Phillips still hadn't figured out which was the big side. "That's All Right" was in the R&B idiom of negro field jazz, "Blue Moon" more in the country field, but there was a curious blending of the two different musics in both. With Presley's version of Monroe's song consistently rated higher, both sides began to chart across the South.

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